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On Beethoven's Openings |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:26 |
RUB 18 |
2 |
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Opening Phrase of the "Pastora |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:44 |
RUB 18 |
3 |
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Musical Acorns: The Outline of |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:42 |
RUB 18 |
4 |
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The "Question" in the "Pastora |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:04 |
RUB 18 |
5 |
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...And Answered |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:12 |
RUB 18 |
6 |
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The Opening Phrase Ends on a N |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:19 |
RUB 18 |
7 |
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Starting With a Stop |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:36 |
RUB 18 |
8 |
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The Rhythmic Profile of the Op |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:52 |
RUB 18 |
9 |
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Phrase One, Part One |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:09 |
RUB 18 |
10 |
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Phrase One, Part Two |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:06 |
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11 |
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The Properties of Rhythmic Amb |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:03 |
RUB 18 |
12 |
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Phrase Two: From Meander to Ma |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:27 |
RUB 18 |
13 |
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The Makings of a Conversation: |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:47 |
RUB 18 |
14 |
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Repetition as a Major Factor, |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:33 |
RUB 18 |
15 |
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From Soft to Loud and Back Aga |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
RUB 18 |
16 |
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Mega-Repetition: Violins Play |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:29 |
RUB 18 |
17 |
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But No Two Repetitions Are Qui |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:34 |
RUB 18 |
18 |
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More Variation; Pitch Rises; V |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
RUB 18 |
19 |
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Return to Opening Idea, but wi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:25 |
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20 |
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Clarinets, Horns, Bassoons and |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:49 |
RUB 18 |
21 |
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"New" Insistent Rhythm Derived |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:09 |
RUB 18 |
22 |
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With the Dawn Chorus, a Whole |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:36 |
RUB 18 |
23 |
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First Violins Play a Derivativ |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:32 |
RUB 18 |
24 |
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Sudden Change of Key, from the |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:30 |
RUB 18 |
25 |
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Arrival at the Highly Contrast |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:55 |
RUB 18 |
26 |
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Unusual Properties of Second M |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:15 |
RUB 18 |
27 |
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Rhythmic Clash Between Simulta |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:09 |
RUB 18 |
28 |
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Winds Fall Silent as the Violi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:30 |
RUB 18 |
29 |
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Winds Answer with the Same Mor |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:51 |
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30 |
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Crescendo Leads To Strings' Ac |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:05 |
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31 |
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Beginning of Coda, Directly Ba |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:22 |
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32 |
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Strings Reiterate Small Fragme |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:48 |
RUB 18 |
33 |
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A Simple, Rising Violin Phrase |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:18 |
RUB 18 |
34 |
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The Nature and Function of the |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:22 |
RUB 18 |
35 |
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The Nature of Harmonic Rhythm |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:35 |
RUB 18 |
36 |
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A Typically Beethovenian Exerc |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:38 |
RUB 18 |
37 |
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Repetitiousness and Magic Effe |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:42 |
RUB 18 |
38 |
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Then Come Four, Almost Identic |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:07 |
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39 |
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Even Greater Magic, with Sudde |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:28 |
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40 |
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Entire Development Section up |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:55 |
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41 |
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The Development, Continued |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:23 |
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42 |
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Increased Unease and Suspense |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
2:03 |
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43 |
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Arrival at the Point of Recapi |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:50 |
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44 |
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Beginning of Recapitulation |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:50 |
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45 |
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More Beethovenian Frustrations |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
1:01 |
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46 |
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Harmonic Rhythm Speeds Up, Giv |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:34 |
RUB 18 |
47 |
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Prevailing Mood Restored; New |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:28 |
RUB 18 |
48 |
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Violins and Violas Take Up The |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:48 |
RUB 18 |
49 |
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A Hush Falls, Followed by a Re |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:58 |
RUB 18 |
50 |
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Clarinet Takes Up the Running |
Jeremy Siepmann, Nicolaus Esterhazy Sinfonia & Bela Drahos |
0:32 |
RUB 18 |